It carries out monitorings for the learning cause and effect in the material and technical direction, prepare the activity program in the direction of restoration of the technologies defining on the basis of getting results of the sensible and forgotten kinds of the carpet-making art. In in Guba, Khachmaz, Gusar, Shabran, Siyazan the Union carried out the survey about modern situation of the carpet-making art, in in the result of analysis of the surveys compile the plan of monitoring and in Guba unity have been organized the exhibition from the works of the carpet-makers and masters of applied art.
In there were surveys about carpet-making art in the west zone of Azerbaijan. The same problem is connect with various kinds of art embroideries. It is about the propaganda the ancient kinds and names of embroideries art among the young generation. Once in a month the Union organize the meetings with craftsmans in the various handicrafts of people-applied art and investigate their problems.
Carrying out the work among different adults , the Union learns their interests to various kinds of applied art and organize different groups. Educational activities: At the museum but also in schools. We are holding courses for youths and adults who want to learn, and also have two university courses at the museum together with the Gotland University.
Festival: Since , every year we have had a storytelling festival, which is local, national and international. At the festival we host a Nordic youth camp for the next generation of storytellers. We are trying to highlight different kind of storytelling traditions, we highlight the romany tradition. This has been done by; road signs, maps, story cabinets at the actual place the cabinets consist of a story that the visitor can read in Swedish, English or German, a painting which is connected to the story , an app you can listen to the story in your phone instead of reading if you like geocaching, performances, activities and excursions.
Every summer we do a summer program in The Land of Legends, with performances open for the public. Performing arts: Storytelling is a performing art, we do plenty storytelling from stages, at theathers and festivals. Book publishing: Several books have been published with the old tales but also with the new stories that we have collected today. Minority groups — we have highlighted storytelling traditions belonging to groups that unfortunately have been overlooked in history, for example Romany and Sami.
Together we have done many projects, and helped them at several places to highlight their legends and stories connected to places where they operate. NGO for traditional handicraft — connected to the making of handicraft are several stories and tales.
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We work together with the traditional handicraft association to bring forward these stories. We co-operate around storytelling, doing performances at the museums. Main objectives of the Organization: 1. Rediscovery and promotion of the intellectual and traditional knowledge of the Igbos relating to its traditional medical knowledge and practices; 2. Protection of the masquerade and oracular prophetic practices of the Igbos, Wawa people as they extend in Nigeria, Ghana, Cote d'lvoire and Senegal; 3.
Defense and sustenance of the natural and customary practices of the indigenous African people under the context of foreign religion and globalization which exterminate the population's social and economic existence; 4. Sensitization of the intellectual class in Africa on the issues that border on African intellectual property and folklore; 5. Research and publications on African intellectual and folklore history and issues by collating end reports of conferences and workshops.
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Poverty reduction programs to ensure environmental and economic sustainability for the Wawas in 19boland spread through the four West African states; 7. Designing relevant programs that will impact positively and contextualize the millennium development goals in the lives and customs of the Wawas in 19boland, especially those in tension soaked Niger delta of Nigeria. Poverty reduction programs to ensure environmental and economic sustainability for the Wawas in Igboland spread through the four West African states; 7. Designing relevant programs that will impact positively and contextualize the millennium development goals in the lives and customs of the Wawas in Igboland, especially those in tension soaked Niger delta of Nigeria.
We have embarked upon documentation and profiling of the intellectual properties and folklore of the Wawa people of West Africa with a view to seeking legislative and copyright protection of these activities, previously undocumented; 2. Publication of well researched articles and books on Wawa indigenous people that will itemize the various cultural properties and rights of the people to sensitize the world and national governments on the areas which are threatened with distinction.
Organizing workshops and attending global fora of world indigenous peoples to present the perceived areas of injustice and marginalization which have threatened them with extinction and permanent dislocation in the geography of their present locations in West Africa. Collaboration with all other individuals and organizations which promote and defend the intellectual property and folklore of indigenous people worldwide with a view to exchanging information and visits from other parts of the world; 5.
Who We Are
Making representation to governments in the four West African countries to recognize and adopt best practices and conventions on world indigenous intellectual rights and properties. Policy advocacy on curriculum change, legal reform and cultural promotion of the intellectual property of the Wawas and Igbos in West Africa. Materials gathered by CTMD staff, folklorists, ethnomusicologists and community cultural sepcialists are the basis for subsequent articistic presentations and educational programming. The collection includes audio and video recordings, photographic documentation and related ephemera on CTMD's presentations and programs.
A monthly eNewsletter provides news, events and informatin about NY's traditional music and dance scene. While CCIs are deeply grassroots and NY-based, they produce ripples that can extend nationally and even internationally. In the s, CTMD's project to document and present Jewish klezmer music helped spark a workd-wide revival.
In the s, CTMD helped form the renowned all-women's ensemble Cherish the Ladies which ispired huge interest amongs women across North America ane even Ireland in performing Irish music previsously a male-dominated activity. Il met sur pied des expositions en lien avec ses collections. La mission du Centre touche les volets de la recherche, de la conservation et de la formation, de la diffusion et de la mise en valeur du patrimoine vivant.
However, from it increased her activities to encompass the conservation of both movable, immovable and intangible heritage assets. CHDA is mandated to Organize, co-ordinate and develop viable projects and activities for heritage and museum development in Africa, such as the post-graduate diploma course in the care and management of heritage and museum collections in sub-Saharan Africa, in collaboration with the University of Nairobi and University College London, and the Africa program. In many programs, CHDA invites expert resource persons and also teaching assistants, who use the opportunity to understudy the expert trainer on their way to becoming expert trainers in their own right.
These professionals, many of who went on and acquired further qualifications, became part of the CHDA network of heritage professionals, a pool of experts that CHDA draws on for its professional training needs, as resource persons, facilitators and program coordinators in case of need.
It is important to note that the network has experts in most of the different aspects of heritage management, including tangible, intangible, movable and immovable heritage. They also have loyalty and commitment to CHDA, having come through it in the development of their professional careers.riotikaleati.cf
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A few of the programs CHDA has undertaken in the past and which had a direct bearing on intangible heritage management included: 1. Endangered Heritage Assets Program EHAP This program was undertaken by CHDA in successfully sought to identify, document and disseminate the tangible and intangible cultural heritage of the Mijikenda people of the Kenyan coast, especially those that are threatened with extinction. The three-year en-compass project The project began in October and is on-going. It brought together participants from China, England, Guyana, and Kenya with the remit for Anglophone Africa The program looked at issues related to the dangers and challenges faced in the protection of intangible and tangible cultural heritage in all participating countries.
The program activities also included a workshop to scope and audit key tangible and intangible heritage resources, including cultural expressions, products and services in each partner country. These in-country workshops provided a focus and momentum for long-term on-going scoping and auditing activities post training. However, the information and material gathered through the scoping exercise was also fed onto a database, used to create the online and published catalogues- this process is still on-going.
The project also intends to create an inventory of cultural heritage resources Tangible and Intangible , including those at risk in the short-term from the scoping exercise undertaken in each of the three partner countries. The catalogue of cultural heritage assets both tangible and intangible collected will be researched and used to design and develop a travelling exhibition that will go around all the participating countries. This course had a whole unit dedicated to "Indigenous knowledge systems and community involvement", which is basically training in intangible heritage of communities.
Africa Courses CHDA hosted the 3-month Africa courses for , , , , and One of the issues Africa program addressed was the issue of insufficient human resources and capacity for management, conservation, and maintenance of immovable heritage properties on the continent, using traditional methods and materials. This means that traditional methods, knowledge and skills, which are basically intangible heritage assets, were being mainstreamed in the program, in a participatory approach involving local communities in the conservation planning and management processes.
For example, the field projects aimed to establish self-confidence within the local custodians and to enhance their recognition as efficient professionals. The project also worked to integrate traditional techniques in conservation of monuments resulting not only in monuments that are responsive to local environments, but also to the sustenance and promotion of traditional skills - the intangible heritage within the local communities. The aims of the course was to produce professionals who can record Intangible Heritage appropriately and to enable trainees effectively apply methodologies, standards, and equipment for recording Intangible Heritage.
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The main course objective was to enable participants to record Intangible Heritage using digital and video cameras in line with laid down standards and procedures as provided in the course. For this matter, community participation has always been incorporated into the programs CHDA offers its participants - either by making it part of the teaching learning content or by inviting community members as participants in training programs to exchange issues with professionals, learn from and teach them and to create networks for future exchange.
In the last training that CHDA held in Zimbabwe on Risk Preparedness for Heritage properties between 6th and 18th May for example, two community members were invited as participants to help build an understanding among professionals on the traditional approaches to risk management of the Great Zimbabwe, as well as to help us understand the community needs and expectations from the professionals in their professional work of management and conservation.
Evaluation Body mandates: ; ; The roots of the CSC lie in an extensive research programme Katholieke Universtiteit Leuven on the history and the current situation of traditional games in Flanders the Dutch speaking part of Belgium , started by prof.
R Renson in The unexpected richness and variety of traditional games lead to the foundation of the CSC in order to promote this endangered sporting heritage and to get people acquainted again with the traditional games. The mission of the CSC states that the CSC must be a centre of expertise in safeguarding the intangible heritage of the traditional and modern movement culture in vivo and in situ via identification, documentation, research, protection, handing down, revitalizing … on a national and international level.
Gradually the CSC broadened its scope to a European and even a worldwide scale. On a European level the CSC carried out a lot of demonstrations of traditional games abroad and invited traditional games practitioners from many countries to Belgium for demonstrations and exchanges. The activities worldwide concern mainly research, publications, the gathering of documentation and exchange of information.
From onwards, the CSC committed itself, together with Sportmuseum Vlaanderen Sports Museum Flanders to realise the Sportimonium-project, a museum about the sports history of Flanders in its national and international context. Especially as traditional games are concerned, both the tangible artefacts and intangible loan service, games park —see further aspect of the sporting heritage is taken into account.
For enquiries the centre calls upon the traditional sports federations for collaboration.